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ARDOIN, John: CALLAS AT JUILLIARD. The master classes.
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BAKER, George: THE COMMON SENSE OF SINGING.
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BARLOW, Wilfred: THE ALEXANDER PRINCIPLE.
Victor Gollancz Ltd. London 1973.
BAUM, Gunther: ABRISS DER STIMMEPHYSIOLOGIE mit Vorschlagen fur die Stimmebildung.
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BRUNETTI, David: ACTING SONG.
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CARUSO, Enrico: HVORLEDES MAN SKAL SYNGE.
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COBLENZER. MUHAR: ÅNDEDRÆT og STEMME.
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COKER, Patty: THE SINGERS JAM SESSION. A thorough, immediate approach to the numerous styles of jazz singing. + tapes.
Studio 224. USA. 1984.
COKER, Patty and BAKER, David: VOCAL IMPROVISATION – AN INSTRUMENTAL APPROACH. + LP.
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ESTILL, JO: COMPULSORY FIGURES.
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FORCHHAMMER, Egil: STEMMENS FUNKTIONER OG FEJLFUNKTIONER.
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FORCHHAMMER, Egil: NOTER TIL FORELÆSNIINGER OVER TALE – OG SANGTEORI.
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GARCIA, Manuel: A COMPLETE TREATISE ON THE ART OF SINGING. Part one & two. Editions of 1841 and 1872.
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GRAY, Henry: ANATOMY OF THE HUMAN BODY.
Elsevier 2008 (Especially for anatomy and physiology)
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HAMMAR, Russell A.: SINGING – An Extension of Speech.
The Scarecrow Press, Inc. Metuchen, N.J. & London. 1978.
HINES, Jerome: GREAT SINGERS ON GREAT SINGING.
London. Victor Gollancz Ltd. 1985.
HOWARD, Elisabeth and AUSTIN, Howard: BORN TO SING. Vocal Technique.
Wise Publications. London. 1989.
HOWE, Albert: PRACTICAL PRINCIPLES OF VOICE PRODUCTION.
W. Paxton & Co. Ltd. London.
HUSLER, Frederick & RODD-MARLING, Yvonne: SINGING. THE PHYSICAL NATURE OF THE VOCAL ORGAN. A GUIDE TO THE UNLOCKING OF THE SINGING VOICE.
Hutchinson & Co. Publishers Ltd. London 1976.
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JOHNSTONE, Keith: IMPROVISATION og teater.
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KJELLERTZ, GOSTA: SANGTEKNIK.
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KJÆR, Bent I.: BØRNESTEMMER problemer og løsninger.
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LOMAX, Alan: FOLK SONG STYLE and CULTURE.
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MacKINNON, Pamela C.B. and MORRIS, John F.: OXFORD TEXTBOOK OF FUNCTIONAL ANATOMY volume 3 HEAD and NECK.
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MANEN, Lucie: BEL CANTO. The teaching of the classical Italian song schools, its decline and restoration.
Oxford. New York. Oxford University Press 1987.
MANEN, Lucie: THE ART OF SINGING. + LP.
Faber Music Ltd. London 1974.
MENOTTI, Carlo: THE ART OF MODERN SINGING.
Camerica Music Inc. New York. 1982.
MERLIN, Bella: ACTING the basics.
Routledge London & New York, 2010
MOBERG, Ulla & UGGLA, Madeleine: SÅNGRÖSTEN SOM HUVUDINSTRU MENT. En pedagogisk handledning.
Edition Reimers. Stockholm 1984.
MONAHAN, Brent J : THE ART OF SINGING. A compendium of thoughts on singing published between 1777 and 1927.
The Scarecrow Press, Inc. Metuchen, N.J. & London. USA 1978.
MOORE, Sonja: THE STANISLAWSKI-SYSTEMET.
Rosenkilde og Bagger, 1966
MILLER, Richard: THE STRUCTURE OF SINGING. System and art in vocal technique.
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PLEASANTS, Henry: THE GREAT AMERICAN POPULAR SINGERS.
Victor Gollancz Ltd. London 1974.
PUNT, Norman A. THE SINGERS AND THE ACTORS THROAT. The vocal mechanism of the professional voice user and its care in health and disease.
William Heinemann, Medical Books Ltd. London 1979.
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REID, Cornelius L.: BEL CANTO principles and practices.
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FRØKJÆR-JENSEN, Børge og THYME, Kirsten: ANALYSES OF VOICE CHANGES DURING A 10 MONTHS PERIOD OF VOICE TRAINING AT THE EDUCATION OF LOGOPEDICS IN COPENHAGEN.
International Voice Symposium, Edinburgh, Scotland, August 1987.
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JACOBS, Arnold og CUGELL, David, M.D.: THE DYNAMICS OF BREATHING.
A medical / musical analysis. The instrumentalist. December 1983.
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ROSING – SCHOW, Anne: KORISK STEMMEDANNELSE.
Efterår 1982.
RIIS, Kristian og BONDE – PETERSEN, Flemming: KROPPENS FUNKTION UNDER KLASSISK SANG. En arbejdshypotese.
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Videos
B
BAKER, Anita: LIVE CONCERT.
BLACK SABBATH: THE STORY Vol. 1 – 2.
BUSH, Kate: LIVE AT HAMMERSMITH ODEON.
D
DIO, Ronnie James: LIVE IN CONCERT.
Diverse kunstnere: LIVE FOR NELSON MANDELA.
Diverse kunstnere: SIMPLE TRUTH CONCERT.
F
FRANKLIN, Aretha: THE QUEEN OF SOUL.
G
GIPSY KINGS: LIVE AT THE ROYAL ALBERT HALL.
H
HAWKINS, Tramaine: LIVE.
HIRANO, Minoru: REGULATORY MECHANISM OF VOICE IN SINGING. Kurume University, Japan 1974.
HOUSTON, Cissy: SOUL AND GOSPEL.
HOUSTON, Whitney: LIVE.
N
NORMAN, Jessye og BATTLE, Cathleen: SPIRITUALS.
S
SADOLIN, Cathrine: ROUGH, READY AND ABLE.
STREISAND, Barbara: ONE VOICE.
T
TURNER, Tina: BREAK EVERY RULE.